Check out the Yameen anime video featuring Lady Alma and Mark de Clive-Lowe.

Check out the Yameen anime video featuring Lady Alma and Mark de Clive-Lowe.

Check out the Yameen anime video featuring Lady Alma and Mark de Clive-Lowe.

It’s been a long time / I shouldn’t have left you / without a strong blog to post to.

As promised, the 3rd part in my ongoing “Building a Cheap, Energy-Efficient HTPC & Classic Gaming Emulator Box” series of articles on my Acer Revo 1600.

I’d like to outline in this article my settings for playing back perfect 1080p HD movies on the Acer Revo in Windows 7. There’s a lot of incomplete information out there regarding how to “properly” playback HD movies on the Revo. Unfortunately, a lot of the stuff I have read online doesn’t take into account things like subtitle rendering which can have an impact on movie playback. So I wanted to write a definitive guide for the Revo which I have spent months honing and perfecting.

What You’ll Need

My hardware setup:

Acer Revo 1600 (standard ION LE, upgraded to 2 gigs of RAM, with adjusted 512MB of video RAM as detailed here).

Alternatively, you could use a Revo 3600 or 3610. And possibly (??) similarly-spec’d ION platforms such as Asrock, etc. But your mileage may vary.

Software

Windows 7 (I am using Home Premium 32bit Upgrade version, non-OEM)
Windows Media Player Classic Home Cinema
CoreAVC 2 (~$10)
Haali Media Splitter
Directvobsub
Nvidia Graphics Drivers (I am using 257.21 ^WHQL)
Nvidia HDMI Audio Driver (I am using 1.00.00.59 ^WHQL)

Start Installin’

First, download and install the Nvidia Graphics Drivers:

If you are using an Revo 1600, select:
“ION > ION LE (Desktops) > Graphics Drivers > and then select your OS”

If you are using an Revo 3600 or 3610, select:
“ION > ION (Desktops) > Graphics Drivers > and then select your OS”

Follow the on-screen steps. Don’t install the Ethernet drivers if prompted (unless you specifically want them).

Continue to follow the on-screen instructions and reboot your Revo.

Next, download and install the Nvidia HDMI Audio drivers:

Revo 1600:
“ION > ION LE (Desktops) > HDMI Audio Drivers > and then select your OS”

Revo 3600 or 3610:
“ION > ION (Desktops) > Graphics Drivers > HDMI Audio Drivers > and then select your OS”

You may need to reboot.

After installation of the HDMI Audio driver, go to Control Panel > Sound > Manage audio devices.

Under the “Playback” tab, make sure “NVIDIA HDMI Out” is set to default with the green checkmark.

Download and install Media Player Classic Home Cinema and install using default options.

Next install CoreAVC 2.0. This handles the codec decoding and it is excellent at what it does. Yes, I know there are free options out there. But this is what I have used and I can guarantee it works on the Revo 1600. Install it with the default options.

Here is how CoreAVC’s options will appear using the default installation. Remember, do not change any of the options during installation:

Next, install Haali Media Splitter with default install options. This will parse your MKVs and other video files and designate which programs will open the separate streams of the file, including audio and video. Haali does all the work, don’t even sweat it.

Finally, install Directvobsub with default install options. Why Directvobsub? Because when I used MPC’s internal subtitle filters, large bit-rate files would suffer during playback. We need to offload the subtitles to another program to let MPC do its thing, and Directvobsub is great at that.

Ready, Settings, Go!

Everything installed with default options, then? Great, we’re almost there!

OK, I know it feels like we just blew through all of that. But here’s where we will set things up:

In Media Player Classic, go to View > Options > External filters.

Click “Add filter” and locate “DirectVobSub (auto-loading version)”. Highlight it and click, “OK”. Now click “Prefer”, hit “Apply” and then “OK”.

Next, go to “View > Options > Output”.

Select “EVR (Vista/.Net3)”. This is an extremely fast decoder, and it handles every single video file I throw at it like a champ.

Hit, “Apply” and then “OK” to save your selection.

Now You’re Playing with Power

At this point, you are ready to go!

Use Windows Media Player Classic Home Cinema to open up all of your HD movie files from here on out.

When you play an HD file, you will notice a few new icons pop-up on your taskbar:

From left to right they are:

CoreAVC: When the icon is green, CoreAVC has engaged the Revo’s GPU CUDA capabilities and is properly decoding the video.

Haali Media Spliter: The green arrow means Haali is working properly, and demultiplexing the movie’s streams.

DirectVobSub: Right-click this white icon to bring up your audio and subtitle streams. In Media Player Classic, you can easily switch between subtitles by simply hitting “S” on the keypad while a movie is playing. This is super easy if you have a handy HTPC remote, such as my trusty Lenovo Wireless keyboard.

And honestly, that’s it. You can now play 1080p and 720p HD movies flawlessly on your Acer Revo.

Bonus Tips & Tweaks

Here’s a few more tips I have setup to make an enjoyable movie watching experience using Media Player Classic Home Cincema:

In Media Player Classic, click “View > Options > Player”. Here, place a check next to, “Launch files in fullscreen” so that movies start in (you guessed it) fullscreen mode immediately after clicked.

Another nerdy thing I do is turn on the statistics options, simply so I can marvel frome time to time at how zero frames are ever dropped with this particular setup. To do this, open Media Player Classic and select “View” from the menu. Place a check next to: Caption&Menu, Seek Bar, Controls, Information, Statistics and Status. You will end up with a statistics panel that plays below the movie, which will only display when you escape from fullscreen mode:

And there you have it. This is what I use. I have scrutinized the playback of dozens of movies with various bitrates and file containers. This setup has proven rock solid for me. I hope it does the same for you.

Enjoy.

Update – August 2010: The Dharma Initiative

Thanks to Scott R in the comments as well as the AVS Forums for hipping me to the presently in-development (but extremely promising) Dharma builds of XBMC on Windows 7. These are essentially betas at the moment, but will one day become the latest release of XBMC.

What’s so special about the Dharma branch of nightly builds is its use of DXVA 2. This is the latest Direct-X video acceleration from Microsoft and it only works on Vista and Windows 7. I’ve thrown a ton of test videos at the Dharma XBMC install and it’s played everything without a hitch.

It’s all very promising, because now you get perfect HD video playback and the fantastic XBMC front-end to boot. The only shortcoming at the moment is: Since the XBMC crew is currently working on the Dharma branch, the code is constantly changing, features are slowly trickling in, and bugs will more than likely pop-up.

Of course, all those issues will be sorted out once Dharma is ready for prime time. I look forward to it.

Click here to download the latest Dharma nightlies. Please note: This software is in development and prone to bugs and may be lacking features. Also, if you currently have XBMC installed, you will need to completely uninstall it (along with profile data) before you install the nightly. Also, be sure to turn on DXVA 2 in the settings, as it was set to “off” by default in my nightly.

Scott R also hipped me to the fact that you can use an external video player with XBMC front-end. And you can do this NOW in 9.11 of XBMC. I tried it with Media Player Classic and it WORKS. You’ll need to edit an XML file with a simple notepad progam, but it’s not too difficult. I recommend testing it out! Cheers!

Continue reading:
Part 1 — Building a Cheap, Energy-Efficient HTPC & Classic Gaming Emulator Box
Part 2 — The Refinement: Building a Cheap HTPC & Gaming Box

Be sure to check for a few cameos in the video including Casual of Hieroglyphics and Bobbito’s Footworks Illadelph record store, formerly located in Philly during the mid-to-late 90′s.

Check out a higher quality version at Vimeo as well: http://vimeo.com/13042021

Animation fans — especially Japanese anime from the likes of Gainax, Studio 4C, and Madhouse — are definitely in for a treat.

» Download the song from iTunes

» Download the song from Amazon.com MP3

Came up on this track me and Philly-based producer, Benny Brows did way back in 1999 from our dancehall-inspired album, Get On All Gone. Check out the remix from Stitch:

You can download the track using the link above.

Also, check out Stitch’s album of rare tracks, Before We Go Any Further — another free download.

I just want to give a big shout out to The Giant Peach on their 10 year anniversary today!

Check out the website from 2000, courtesy the Wayback Machine.

Karen over at The Peach just reminded me we launched the website on May 25th, 2000 — 10 years to the day. That’s crazy. I remember coding and designing the website for the launch from my old Orianna Street apartment in Philadelphia before moving first to San Francisco and later to Oakland to help directly with the website.

I first met Karen Dere when she became the merch goddess at Hieroglyphics.com in the late nineties.

In 1999, she had this crazy idea to spin off a new site that would focus on producing and distributing merchandise with the hiphop groups we personally knew. It would be a personalized experience for both the artists and the customer. This venture, she told me, would be called The Giant Peach: Because when you step inside, all your troubles disappear.

Karen asked that I design and help run this new site. Bet. I coded the site up and we launched 10 years ago today.

Of course, I need to give shouts to the groups we originally launched with and whom in many instances The Peach continue to have relations with: Quannum, Stones Throw, Ledisi, ABB Records, HipHop Slam, Definitive Jux, Live Human, Future Primitive. Karen, you done good.

I went digging in the crates and found a few pictures from the old, old, OOOOLD Giant Peach warehouse in South San Francisco from July 2001. Check em out (yo…that’s a Zip drive on top of that computer):

In 2001, the office was modest. Present day, The Giant Peach occupies a giant warehouse in Alamdea, CA.

[Above and below] The warehouse section of The Giant Peach in 2001

[Above] Paints for the screen printing application.

Above, the print carousel in the foreground where the clothing is arranged for screen printing.

From humble beginnings…

The Giant Peach website as it appears today:

All grown’id up and doing big thangs!!

Congrats on ten amazing years in online hiphop and beyond, Peachies. Ya’ll are kicking much ass.

I used to watch this movie as a little kid. I mean, we’re talking 4 or 5 years old.

I hadn’t seen the movie for literally decades. And then — through the power of the Interwebs — I rediscovered the movie by watching clips on Youtube and had to hunt down a copy.

The movie itself is from 1969 and was released by Toei Animation. It’s notable for featuring some of Hayao Miyazaki’s earliest work as a key frame animator. Miyazaki, of course, would later go on to form Studio Ghibli (Princess Mononoke, Nausicaa, Spirited Away). Truth be told, however, it isn’t Miyazaki’s movie (although the chase and action scenes he worked on are outstanding and certainly a progenitor for movies such as Cagliostro).

The film was directed by Kimio Yabuki (Swan Lake) and features notable contributions from Yoichi Kotabe (Pokemon, Panda! Go, Panda!) and Yasuo Otsuka (Lupin III, Future Boy Conan).

I managed to score a copy of the DVD for $10 on eBay direct from Discotek, the DVD’s distributor in the United States. Here is what you get on the DVD:

• Anamophic 2.35:1 16:9 transfer. That’s widescreen.
• Japanese language
• English language dub which the DVD credits as the “Fred Ladd” dub
• An additional audio track with just music and sound effects
• English subtitles
• Extras including picture gallery, theatrical trailer & text interviews with the creators

(Trivia: Apparently no credits exist for the English cast)

It’s a nice little package. But peep:

The English audio is kinda busted…It’s sort of in stereo, but not really: It’s very choppy and sounds as if voices or music will drop out entirely at any given time. It also sounds as if it’s weigthed far to the left…To be honest, I thought it was mono at first. It even says, “Dolby Digital Mono”…I don’t know, it’s weird…The Japanese channel is much nicer. But since I grew up watching the English dub (in glorious 4:3) I was kind of hyped to hear a good English mix. Oh well. It’s good enough. It works.

The bigger problem though is some nasty interlacing (click the images for the full-size screenshot):

So what I did was I used my handy DVD Shrink rip tool to rip the entire movie to an ISO file (click image for larger view):

I then used Handbrake and chose the “Deinterlace” video filter to remove the interlacing:

Handbrake also recognized the DVD’s anamorphic source and set the cropping to remove the extraneous black bars (Top: 50 / Right: 8 / Bottom: 48 / Left: 12, if wondering). I then saved as an MKV with all 3 audio channels as well as the English subtitles. And what I have now is, in my opinion, a superior version (Click to download a 2.4M MKV sample with Japanese & English audio tracks and subtitles):

And no: I will not send you the full MKV, so don’t even ask. Instead, hit up the good folks at Discotek who despite having some interlacing issues in their source material, seem to really care about this release. It’s a nice disc.

Also check out:

• DVD Times article on the DVD release

• Puss ‘N Boots at Nausicaa.Net

• Puss ‘N Boots Wikipedia page

In Part 1 of my “Building a Cheap, Energy-Efficient HTPC & Classic Gaming Emulator Box” adventure, I outlined the different hardware options I was considering to create the cheapest, nicest-lookingest, lowest-energy-using, HD movie-playing, classic videogame-emulating home theater PC.

Four months later, I am more than happy with my purchase of the Acer Revo 1600.

And so, I am here to outline the refinements to the machine I have made since that first blog including interface devices, hardware upgrades and more.

Wireless Keyboard & Mouse

When I last left you at the end of Part 1, I was considering purchasing the $119 Logitech diNovo Mini (pictured above) to control the HTPC from the couch. It sure looks purtee in those pictures, don’t it? Well, reviews for the diNovo Mini were all over the map: Some people loved it, while others cited glaring problems with it including its trackpad, the build quality of its plastic shell, and of course its pricetag. For that price, I thought to myself, the thing needed to be damn-near perfect…So I held off. And good thing I did. Because within a few weeks two new devices came out that caught my eye.

The first was this guy:

I mean, it looked cool enough, right? Certainly functional with that huge trackpad and all those keys. There were a few Chinese knockoffs available on eBay, so prices ranged from about $30-$60.

A big downside for me was there were next to zero reviews for it at the time. And since its manufacturer’s name is glaringly omitted, no one could guarantee the quality of the build. Also, no F1, F2, etc keys which could prove problematic down the road.

My search continued, until I saw this baby…

Oh shit. It was everything I wanted: It had a trackball, it was small, I could use it in one hand, it had left and right mouse buttons and the price was decent enough (about $60 direct from Lenovo). No F1, F2 keys but whatever…It had dedicated home theater controls at the top for fast-forwarding, pausing, etc which more than made up for the lack of F-keys, in my opinion.

Boom. I copped it. And I absolutely love it.

It comes with a tiny USB dongle that I have inserted into the Revo’s rear port, out of sight. The Lenovo unit itself takes 2 AAA batteries. I picked up a pack of rechargeable AAA Eneloop’s for about $10 since I already have the charger. But as of this writing I am still using the batteries that came included with the wireless keyboard. It’s well-made and works lovely. I highly recommend this chumpy if you’re looking for an input device.

If the Lenovo isn’t really your cup of tea, I also considered these:

Mini Bluetooth Keyboard (no trackball or mouse function)
USB 2.4Ghz RF Wireless Tiny Keyboard With Trackball
Rii Mini Wireless Keyboard
USB Wireless Handheld Keyboard and Touchpad

Videogame Controller

The next thing I wanted to do was get a proper wireless game controller for the videogame emulators. I considered getting a wireless Xbox 360 controller for the PC, but there was a lot of overhead involved such as picking up the PC-compliant, proprietary wireless dongle that Microsoft sells (about $40 for a wireless controller, and another $30 for the wireless receiver). The wireless receiver is also somewhat big — about the size of a PC mouse — and would stick out like a sore thumb on a tiny HTPC).

Instead, I turned to my PS3 Bluetooth controller and found freeware PC drivers called MotionJoy which would enable me to use the DualShock 3 controller with Windows XP. All I needed was a Bluetooth dongle which I found for $14.99 on Amazon:

(Cirago Bluetooth BTA3210 v2.1 EDR Class 2 Micro Bluetooth Adapter)

It’s tiny. Super tiny. About the size of a dime as you can see in the picture above. (FYI: the USB wireless dongle that comes with the Lenovo Wireless Keyboard is exactly the same size.)

I inserted the Bluetooth dongle in one of the 4 rear USB ports on the Revo. Be warned: this particular dongle has a blue LED that flashes as it intercepts a signal. You can apply some electrical tape to the LED to hide the emitting light if you want, or simply do what I did and use a port on your HTPC that is in the rear of the unit and unseen. I never see any blinking light from the dongle, even in a completely dark room.

Once the Bluetooth dongle was installed, I configured the Dual Shock PC drivers and now I have complete and full use of the PS3 controller on my PC. That includes rumble, digital and all analogue controls. Additionally, I can now pair any Bluetooth device to the PC which is a nice added bonus.

RAM

The final thing I did was upgrade the RAM from 1 gig to 2 gigs…I’m not sure if this was really necessary: All of my HD videos and video game emulators worked just fine on the standard 1 gig of RAM. But I knew I wanted to install Windows 7 on a separate partition (more on that in Part 3), and figured I would just go ahead and get the RAM since it was fairly inexpensive (about $30 in December 2009).

The thing about RAM and the Acer Revo was…I was not entirely sure which kind to get. The documentation available online is not very good regarding this seemingly important tidbit. And so if you’re wondering, it has to be laptop RAM. Here is what I purchased:

Corsair Memory VS1GSDS800D2 1 GB PC2-6400 800Mhz 200-pin DDR2 Laptop Memory Kit

Just remember: If you upgrade your RAM to 2gigs, you need to enter into your Revo’s BIOS and upgrade its video memory from 256M to 516M to reap the benefits it will provide to the GPU (arguably the most important part of the Acer Revo).

You can find easy instructions to do that here. And below is a video on how to open your Revo hardware safely (although take note: it will void your warranty!):

Game Over, Man!

And voila! We have a refined, fully-operational, cheap HTPC & gaming box. Now stop dicking around with the thing and start playing some games and watching some movies! All from the comfort of your couch

Continue reading:
Part 3 — Windows 7: Play 1080p HD MKV Movies on Your ION Acer Revo
Part 1 — Building a Cheap, Energy-Efficient HTPC & Classic Gaming Emulator Box

WYDU: For those out there in the blog land that might not know who you are, can you give us a brief introduction?

Yameen: Sure. My name’s Yameen aka “Stinke”. I’m a producer born and raised in Philadelphia, presently living in San Francisco. I’m also a huge fan of the site. Thanks for having me.

W: Man, I already gotta questions your taste, liking this site…hahaha. You got an interesting start in the “game”, coming up on the infamous Heiro boards from back in the day and working with them, how did you hook up with that and do you think it’s benefited you as an artist?

Yameen: In 1995 while I was still in high school, I started a little website called Tha Threshold. It had a graffiti section, a video game section, a links page (which were really big back then) and a little section about my favorite crew at the time, Hieroglyphics. I originally made the Hiero page to see what was going on with all those guys because it was like the “Hiero Hotline” just dried up and no one knew where any of those guys were, or what they were doing.

So, you know, I had this cool little website. And it was getting a few hits. But the video game section was kinda popping…So I decided to shut down the Hiero section of the site and focus on the games part. Ironically, the day I decide to do this, I get a beep on my pager (1995, y’all) and it’s from the “510″ area code…I’m like, “Who is this?”. So I call the number back and it’s some guy claiming to be Tajai from Souls of Mischief. He wants to make my website, “Official”, he says! “Sure, sure buddy….”, I had assured him. “Well, why don’t you send me some stuff to prove you’re actually Tajai and then we’ll take it from there.” No joke, this is how it went down. So a week or two goes by and oh shit! A huge package arrives with all kinds of Hiero press photos, Souls of Mischief “No Man’s Land” promotional water flasks, stickers, all this stuff. I mean, I’m still in high school. So I take all this stuff back to school and I’m flossin this shit like, “YEA MOTHERFUCKERS!” Haha…

So yea, through Tajai’s connection we made the website official in 1995. A year or so later we acquired the “Hieroglyphics.com” domain name which cost $180 a year back then. In 1995, you could pretty much count all of the hiphop websites on both of your hands. We all knew each other too. Aside from Mystik Journeymen, Hiero was the first hiphop group to have a huge online presence. And we dominated between 1995-2001. We funded the entire recording of 3rd Eye Vision through the website and our burgeoning e-commerce initiative. We won tons of awards and established a lot of the web practices adopted by many other sites in the intervening years.

But yea, as far as benefiting me as an artist, definitely. My first music EP commercially-released was with Tajai of Souls of Mischief in 99′. And it was released on Tajai’s label through Hieroglyphics Imperium. So right there, that was a great jump-off. I also got to tap into the Hiero fanbase since I had Hiero members on my records. And likewise, that worked in different scenarios: When I did Aesop Rock’s website in 1999, we were able to hit up the Hiero fanbase and turn them onto him, for example. It all worked cause I think all the Hiero Heads were on more or less the same shit. It wasn’t like I was posting up links to Doritos like, “OMG, check this shit out, blood!”

Also, if I can just mention this…The time I tried to interview Kwest Tha Madd Lad from a payphone in Queens was one of the more bugged out memories I have from this era. I really wanted this interview to go down, but it just rang and rang. I still want to do that interview, Kwest. Hit me up yo.

W: There is always some weird shit going on with interviewing Kwest, I think that he makes that a prerequisite. The Heiro website was basically one of the first of its kind on the web and you are somewhat credited for that, as you mentioned, being the webmaster and all. How was it working on something those days that was still fairly new? How did you create the “blueprint” for indie hip hop on the web?

Yameen: My official title was “Webmaster and New Media Coordinator”. I was spearheading ideas that would take the entire crew and indeed our fanbase and online community further. “Yo, there’s this new technology called RealAudio that lets you stream audio we need to get that;” or “Let’s document the entire production of 3rd Eye Vision from start to finish and post it online each week;” or “Let’s release albums like Del’s shelved 3rd studio record online-only.” I was also designing the site, and we got bit quite often.

But I think it was about being original and pushing new ideas and rallying the online community and charging ahead. The entire Hiero website, the record label that spawned from the web initiative, everything that Hiero became in the mid-to-late-90′s up until today can be single-handedly attributed to the worldwide Hieroglyphics fanbase. They were the ones buying the web-only cassettes, the t-shirts, spreading the word, coming to the shows. Essentially, making sure Hiero survived. Our “blueprint” was exciting the online community and keeping them engaged.

W: Never Knows Best is your first album as being known as Yameen, how long in the making was this project?

Yameen: Word, Never Knows Best is my first album under the name Yameen. It took about two years to finish.

W: Describe the album, how did you come up with the concepts and what influenced you?

Yameen: The album is me on production with a bunch of great guest artists including Shock G, Georgia Anne Muldrow, Maylay Sparks and Lady Alma from Philly, Azeem is on there, Casual from Hieroglyphics and DJ Icewater.

When I first conceptualized the album, I was going to do a full instrumental album with a running musical narrative, much like I’ve done in the past with some of the concept records Tajai and I worked on. But then I was like, “You know what? People like lyrics. People like remembering songs, and humming and singing them to themselves.” And so I dropped the full-on instrumental idea. Then I started to think about the instant-on internet generation and how attention time is precious, and how you really need to grab people and entertain them quickly because there is so much access to instant media now. And so I experimented with making what little instrumental songs are on there short. And they kindof bump right into each other, as can be heard especially in the beginning of the album. I try to just get right to it and make a record that is fully enjoyable from start-to-finish.

W: The sound on this album is rather unique, how would you describe your music on this album?

Yameen: Man that’s a great question.

W: Why thank you…

Yameen: I’m really not sure. Of course I call it hiphop and soul, but I have dance influences as well. It’s different. I’d suggest anyone interested should peep the sound clips on my site or on iTunes and make your own decisions. If anything, I think it’s exciting.

W: Playing devil’s advocate here, what would you say to someone that would say that “this isn’t hip hop”?

Yameen: Well, I mean, I grew up listening to all the dope artists covered on this website, know what I mean? I love Kane, I love X-Clan, I know who the fuck 3X Dope and BWP is and shit, hahaha…If you’re reading this, most likely we have the same exact influences. Some of my stuff might push the BPMs a bit faster than your normal boom-bap, but shoot: in my opinion I’m still making hiphop. Soul music.

It’s tough cause as much as I would love for everyone to be into it, I know my music’s not for everyone. But I have a lot of different sounds on the album. I have battle MCs and r&b crooners. Got some blow-your-speakers-apart rap shit and I have some housy-r&b shit. I can’t help it!!

W: How do you see the state of hip hop in general changing in the future. With the experimentation of sounds, such as whats your album, it’s something that some the hardcore extremists might have a problem with. For those calling for more creativity in the genre, they might praise the expansion of the sound such as found on your album? How do you walk the fine line between being to experimental and keeping those hip hop roots close by?

Yameen: I don’t think I’ve ever worried about losing my hiphop roots. This is my life, it’s intertwined, it can never leave. But I do think about accessibility in my music, and how people will receive it. Especially as I have gotten older. At the end of the day, when I’ve made a song, I only need to consider: Do you like it? Is Yameen happy with what he has produced?

I am always interested in hearing how people respond to the album and the music: What songs did they enjoy, what did they absolutely hate. I am already starting to get some great feedback. Truth is, I never know until it’s out there.

But as far as the future of music and the future of hiphop in particular, I am more-so interested in the changing media landscape. Before Never Knows Best, the last album I released was “Nuntype” with Tajai in 2005. In those three intervening years, there has been a tremendous change in the way music is sold and distributed. Look at how many of our online vinyl stores have fallen since then: HipHopSite, Sandbox…Everyone downloads music now. There was even a bit of resistance from the label when I wanted to press CDs this year. It’s changed so fast and so dramatically. The distributors too have been heavily affected. Everyone has.

I mean, I’ve been pricing my CDs at $9.99 for years. I think all artist should do that. It doesn’t make sense cause most cats is gonna download your stuff anyway. Either to get a taste or from iTunes, etc. But my point is soon I see CDs becoming just a promotional tool cats give away. Gotta give it up to Prince, Radiohead, Trent Reznor…These are artists trying new things. It’s good to see.

W: You have an interesting line up of guest artists that you worked with on this album, how did you choose who you wanted to work with?

Yameen: For each song I had each artist in mind. I was lucky to work with so many professionals, too, in the Leon / Jean Reno sense of the word. Everyone was laser-sighted, precise. I had never worked with any of the artists on the album before so that was a lot of fun.

Also have to give shouts to Matt Kelley, my engineer, and Ken Lee who mastered the album. These guys are two hiphop legends. They’ve worked on so many classic records, it’s ridiculous. One of the reasons why I recommend the CD version are because of these two guys, it just bumps. Oh and peace to Doug who laced the album artwork. That shit came out really sick as well.

W: Was there anyone you wanted to get on the album but couldn’t? Any artists you want to work with in the future?

Yameen: Yea, I’m lose-mapping the next album in my head and pretty much know everyone I want to work with. I get a bit superstitious, tho, so I can’t name drop anyone until it’s recorded.

W: Understandable, don’t want to jinx anything. What does the future hold for Yameen? World tours, cars, women? haha

Yameen: Yea, all that shit man! Hahaha…Lifestyles of the rich and infamous, word up. But definitely more music, more media convergence ideas: music mixed with visuals and interaction. Synesthesia. We are, to quote a song title from my record, Sifters In The Land Of Fun, after all. More so now than ever before.

W: Any last words for our fine readers in the blogosphere?

Yameen: Yo, go cop Never Knows Best on Ropeadope Records, in stores everywhere. Amazon.com, iTunes, yameenmusic.com. Download the free album sampler at my website mixed by DJ Statik. Big ups to Travis and the entire Wake Your Daughter Up crew. I love the site, keep doing what you’re doing. And to all of YOU! Thanks for supporting. Peace!

W: Thanks man, this was most enjoyable and best of luck with the album!

• Check out the Wake Your Daughter Up HipHop & Audio Blog